Completed in 1960, these rarely exhibited works on paper were largely unseen during Held's lifetime and offer a new perspective on the artist’s attempts to advance ideas of form and space in contemporary painting.
A departure from Held’s more recognizably hard-edged, overlapping geometric abstractions, these are spare works consisting of one or two brushstrokes of black ink on waxed paper. Disarmingly simple, they are not considered studies but rather a series unto itself, existing as an exacting visual preamble to his larger-scale statements on perception and depth of field.
Softcover, 64 pages
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