The catalogue marks an exciting moment in Martin's ongoing investigation of image production as it relates to landscape. As the title suggests, in his new work Martin engages multiple meanings of the term bracketing, by leaving sections of pale-toned space that frame the image inside the canvas, employing multiple exposures in certain repeated images, and promoting the implication of information that has been excluded from the pictures due to their cropping. In this new group of paintings on canvas and paper, he works at collapsing the interrelationship between painting, photography, and digital media. Published on the occasion of the exhibition Bracket.
Conversation between Cameron Martin and Amy Sillman
Softcover, 32 pages
Out of Print